MP3: Discovery – I Want You Back (In Discovery) from 2009′s LP (Jackson 5 Cover)
Editor’s Note: LP was dropped a week early for $8. $2 goes to Oxfam America.
I think I’ve done my fair share of radio bashing here at Aural States. Whether it was by wholeheartedly agreeing with Spectre’s assessment of modern hip hop radio, or whilst dissing the filler-engrossed waves put out by what was once 99.1 HFS, I think I’ve made my opinion clear (of course, for these purposes, I ignore the few respectable oases still in operation today. Props to WTMD and WPFW for solid programming).
As if to spite FM radio’s gloomy condition, Discovery, the product of Ra Ra Riot vocalist Wes Miles and Vampire Weekender Rostam Batmanglij, have found something to like about turning on their dials. They find use for the treading beats and beaten-to-death subject material thrown together by dozens of half-assed MTV projects, the difference being that their output is surprisingly enjoyable in its entirety, rather than only mildly so in single form.
The most interesting track on their debut, LP, comes in the form of a Jackson 5 cover. They deftly dodge the the problem of recreating Mr. Jackson’s superpitch vocal work by using R&B’s recently popularized all-purpose miracle cure–autotune, suitably reimagining one of Motown’s greatest tunes in context with modern radio conventions (right down to the too-fake-for-life drum kit and glazed-slick production). The funny thing is, it sounds completely authentic, like something blasted out of a high-schooler’s mom’s minivan on the ride home after senior prom. Because they’ll remember that moment for the rest of their lives.
Their song selection couldn’t have been more appropriate for a good-ol’-fashion modern-meets-classic comparison. The Corporation-written chorus progression translates well into any medium, and the lyrics remain just as relevant today as they were 40 years ago. Past releases have proven that all performers involved have a keen eye for catch, making Discovery’s cover an ideal candidate to show where pop music has gone.