It’s pretty difficult to bottle together Human Conduct Records as a uniform whole. Portions of their output could pass as material from your average Joe’s favorite freak folk label, whereas the opposite is true for their less accessible releases. An understandable slight of ambivalence may sour your first impression of HCR–and that’s certainly not abnormal in this case. Uncertainty to the nature of the noise going through your headphones can, after all, be a bit daunting. The fact is: that’s precisely the sort of thing you have to expect when you’re talking about a group of people who aren’t afraid to embrace the atonal and arrhythmic in pursuit of artistic expression. I mean, they do call some music “abrasive” for a reason.
Human Conduct was founded in Baltimore during the late 90s by Ari (Ari and the Shanks) & Abe Schenck along with Rick Weaver (The New Flesh), who appears on a number of their releases. Since then, HCR has garnered quite the reputation in many anti-traditionalist circles. Coming straight out of their website, they apparently specialize in “lo-fi, hi-fi, and mid-brow” jams, mostly local but not always. That being said, I now welcome you to the world of Human Conduct Records. I’ll be going through their most recent releases by the way of our own Zack Turowski, sans alcohol. I hope to present a meaty survey of Human Conduct’s most current catalog–whilst attempting to circumvent my beloved rants about the theory (or potential lack thereof) behind experimental music. Later segments will be focused on individual artists.