I think we can all agree that Dustin Wong (likely you know him from Ponytail) knows his way around a guitar. Every effect-laden note found in his work, both solo and otherwise, is deeply imprinted with a profound familiarity for the instrument. Combined with his exceptional pneumatic awareness, Dustin Wong’s sound is surely nothing to take lightly. Recently the two of us sat down together, miles apart (or so I presume), and had ourselves an email chat about his solo work. Here lies the result.
AS: So, can you describe what exactly it is you’re trying to say with your compositions?
Dustin Wong: I definitely want the whole set to be an experience, kind of a loose narrative or a journey. Towards the sky with a sense of humor.
AS: How does that differ from your work with Ponytail?
DW: I use my pedals completely differently, although they are set up in the same way. Ponytail has a more horizontal build vs playing solo things build vertically, sounds stack up. Ponytail is my extrovert, and playing solo is my introvert.
AS: Your compositions are pretty bereft of structure–what is the writing process like? Do you look at your music linearly? Stream of consciousness?
DW: It’s definitely more of a stream of consciousness thing. I think my film background has an influence as well. I write music as if I’m editing video.
AS: What urged you to compose Seasons? Why the four seasons? What was the general conception like?
DW: I think it was realization and conception at the same time. There were a bunch of songs accumulating and I realized that they sounded like the season they were recorded in, so I just went for it.
AS: Greg sent me a copy of your “Matthew and Kenneth” demo, is that going to be featured on an upcoming release? Anything new in the works?
DW: I’ve been talking to Justin Kelly about releasing a cassette tape, and this was one of the tracks that I wanted to have on that release. Starting to think about it more concretely these days. Also in the process of recording my current set, hopefully I’ll get that done soon.
AS: Your set at the Hexagon last October was pretty fantastic, how do you usually go about your live performances?
DW: Thanks! I actually play a little better if I’m slightly nervous, maybe its because its heightening something. Also I love it if I feel like I’m inside the music rather than out.
AS: Looking forward to seeing anyone in particular at Aural States Fest II?
DW: Leprechaun Catering is going to be incredible. I’m looking forward to Sick Weapons and Lands &Peoples. Also, J. Robbins’ new band Office of Future Plans!
MP3: Sick Sick Birds – Committees (Need A Champion) from Heavy Manners LP (2009)
Sick Sick Birds reconcile a sage and poetic approach with the sound of pop-punk, something normally associated with the trite and disposable. This, in and of itself, is reason to be impressed. Their dynamic live show carries all the energy of punk while channeling the bittersweet reflection of something more measured. Given that I practically wore out the grooves on their 2009 LP Heavy Manners, their inclusion in the fest is hardly surprising. Their live presence is still a relative rarity in these parts, so come out and bask in it. Here’s hoping they have an active 2010.