Download full video: MOV
The nature of music videos has been evolving just as fast, if not faster, than the nature of albums in the age of broadband and digital media. Now, even the most amateur videographer can pump out a video for a single of his/her band, damning any notions of style or quality to hell in favor for expediency, gimmickry and fast, viral PR. But for Caverns’ first foray into this realm, things are very different. Caverns have never been much for following the trends or current moods. Everything they do is meticulously planned, distinctive and shaped by discriminating taste and style, a watertight DIY ethos and a fun-loving outlook.
The song is classic Caverns, a showcase of their signature modus operandi and lays plain their artistic manifesto. The razor-sharp, craggy edges of Hilliard’s scraping guitar riffs open the song with a shower of sonic shrapnel. Taylor’s suave, full-toned piano comes in and sets up fantastic melodic contrast, dripping into your ear like sweet golden aural honey. Hurt’s percussion comes in and ties it all together with a taut and coasting rhythmic bow, feeling almost relaxed if it wasn’t for the heft behind each hit. The spiraling, dueling melodies from guitar and keys build and build into an addictive riff before disintegrating. The video captures all this perfectly: tense and searching (but never ADHD-addled) camera work, alternatingly the smooth and the frenetic, prodigious and tasteful lighting (no surprise considering Caverns earlier live shows with extensive lighting) and was filmed and cut in-house by Taylor, who doubles as mastermind behind D dot Films.
This is a complete 1-2 punch when you consider Caverns has lined up Brooklyn-based wunderkinds A Place To Bury Strangers and fellow District-dwellers True Womanhood to play their video release show this Friday June 5 @ Rock and Roll Hotel.