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Photos: Cursive @ the Ottobar, Caverns @ Sonar (2009.08.08)

I did some show hopping last Saturday, first catching DC’s premiere instrumental rockers Caverns in their opening set for MD legends Clutch. Spreading their wings on the Main Stage, Caverns seemed a bit lost on the big stage. They definitely work best in smaller venues, but thankfully their massive sound fills out any gaps left untrampled by guitarist (and sole kineticist) Kevin Hilliard’s frantic scrambling and freak-outs all over the stage. Their second time opening for Clutch, they’re no stranger to the tunnel vision that often dominates the minds of many in Clutch’s fanbase. But ever resilient to chants and heckles beckoning for Clutch, they chip away more and more fans as their sound grows ever more massive in their set.  Quite possibly the loudest I’ve seen them since Aural States Fest.

They are sure to be even louder tonight at the Hexagon with bastard cousin Solar Powered Sun Destroyer, locals Lexanne and headliners Night Horse.


Caverns

Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage Caverns @ Sonar Main Stage

From there, an abrupt mood and style shift as I headed over to mope territory at the Ottobar with Cursive and Tim Kasher’s emotive yowls headlining, and the ever-effusive Love Language opening.  To be brutally honest, I was underwhelmed by Cursive.  Progressively more adventurous in their latest efforts, to me they still fall short of capturing lightning in a bottle that was The Ugly Organ, that mixture of catchy, sappy, and adventurous that feels just right.  Sad but true.  Kasher’s bubbling stew was plenty big, but lacked much punch.

By contrast, openers The Love Language proved even more effusive than my last time seeing them. They are 2 for 2 wowing me with phenomenal live performances and presence.


Cursive

Cursive (Tim Kasher) @ the Ottobar Cursive (Tim Kasher) @ the Ottobar Cursive (Tim Kasher) @ the Ottobar Cursive @ the Ottobar Cursive (Tim Kasher) @ the Ottobar Cursive (Tim Kasher) @ the Ottobar Cursive (Tim Kasher) @ the Ottobar

Contest: Cursive, The Love Language, Deleted Scenes @ the Ottobar (2009.08.08)

cursive

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MP3: Cursive – Art Is Hard from The Ugly Organ (2003)
MP3: The Love Language – Nightdogs from The Love Language (2009)
MP3: Deleted Scenes – Ithaca from Birdseed Shirt (2009)

Commenter Emily is the winner!  Check your email!

There’s this great show coming up at the Ottobar.

A little label called Saddle Creek has some band called Cursive that is coming through town, with phenomenal openers The Love Language and DC-locals Deleted Scenes.

Thanks to Monozine, we’ve got two pairs of tickets to giveaway to the two most creative and compelling commenters on this post. Have at it.  Winners will be chosen at 5PM the day before the show.

Cursive fans, take note.

cursive-mama-im-swollen

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MP3: Cursive – From the Hips

Saddle Creek’s premier eclectic sons of rock, Cursive (Wiki), are taking a unique approach to pricing their new album.

For the next eight days, the new album (Mama, I’m Swollen) will be available as a digital download at a pro-rated price that will increase by $1 each day (i.e., the price is $2 today, $3 on March 3rd, $4 on March 4th, etc.). When the record hits stores on March 10th, the digital album will then remain at the regular price of $9.

So it would appear then, that this is your chance to snag this one on the cheap.  Have at it, and enjoy this new download from the album, comped.