So I’m alive and well in Boston, just not so well with the having of free time. Fortunately I was able to help finance one last project out of Baltimore, putting one of its criminally underappreciated bands on wax for the first time. I’m happy to say Lo Moda tracked a 4 song 12″ EP limited to 300.

If you are in the area, be sure to drop by Windup Space tonight for the release show tonight with Monster Museum.

Enjoy this last track off the EP, and check out the page at Aural Slate Recordings for more info on the release as I get a chance to put it up.

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Just so everyone knows that I haven’t been completely resting on my laurels in regards to Aural States and affiliated enterprises, I come to you with an offering. I’m very proud and excited to present to you, reader, the track “Weeds.” It serves as the opener, and first single, from our label’s third record: Small Sur‘s Bare Black EP.

With this EP, Small Sur take their music to new heights of beauty by laying down some breathtakingly lush sounds, expanding their instrumentation (guests include Susan Alcorn, Geoff Graham, Natasha Tylea-Cooke, and Kate Barutha), further refining their exploration of space and almost spartan arrangements, and embracing some gorgeous and organic drones. We’re beyond thrilled with this special release, limited to 200 physical CDRs with gorgeous letterpressed packaging and art from Justin Lucas. As always, digital downloads will also be available in FLAC and MP3 formats.

Check the EP page on the label site for more details, track previews and links to buy online.

Album art is forthcoming, as well as a phenomenal EP Release Show on Friday July 9th at the Windup Space with Lo Moda, Moss of Aura (J. Gerrit Welmers of Future Islands), and Ghost Life (Wheattie Mattiasich + ex-More Dogs). This is a doubly-relevant show since Lo Moda will be providing the fourth release on Aural Slate Recordings later this year. Stay tuned for more developments!

A week from today, our newest venture (EP label Aural Slate Recordings) will launch with the release of Caverns’ EP We Lied. Caverns have long been one of my favorite local artists, providing a unique take on the stale formula of rock and an explosively engaging live show. I’m really proud to have them on-board as our inaugural release. The first release show will be on Friday February 19th at Comet Ping Pong in DC with Detox Retox, and Prisms. Release shows in Frederick and label party in Baltimore will follow in the spring.

We Lied was recorded with Chris Freeland at Beat Babies, and J. Robbins at the Magpie Cage. Mixing duties fell on Chris Freeland and Matthew Leffler-Schulman of Mobtown Studios, who also did the mastering. Album art was designed by the multi-talented Caleb Moore of Lands & Peoples.

To give all you loyal Aural States readers a taste of the album, today we present the opening track (and lead “single”), entitled ”Arctic Phantoms.” Coincidentally, it is also the only track on the EP recorded with J. Robbins at the Magpie Cage, and really sets the stage for the rest of the EP.

More from lead guitarist Kevin Hilliard:

The opening track, “Arctic Phantoms,” operates as the mission statement for this EP. In fact, we titled the EP We Lied because this song steps outside of the purely instrumental confines our music has remained in up to this point by incorporating a heavily effected vocal melody and atmospheric synths into the mix. Our drummer, Ross Hurt, programmed glitchy electronic drums to add yet another texture previously absent from our compositions. The beginning of this track might even sound like the work of an entirely different band if it weren’t for Patrick Taylor’s lead piano line, which maintains a continuity between “Arctic Phantoms” and our earlier work. As for the lyrics…we’re not at liberty to discuss them, but if anyone figures out what they are, we’ll give you a free t-shirt.

Find out more than you ever wanted to know at our label site (including more track previews, links to buy etc), and stay tuned for more exciting announcements throughout the year. Starting next Friday, a limited run of 200 CDRs will sell for $5 at shows, and the album will be available digitally on Bandcamp (which means you could even get it lossless!) for $4.