Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Sometime around 2006 or 2007, during my first of two senior years in college, I decided to make a long-overdue effort to actually engage in my hometown music scene. All that really means is I jumped on MySpace and did a search for “Baltimore” under the music section. Not particularly effective or engaging, I realize now. Regardless, I did eventually find my way to Beach House, and they were one of the acts that resonated almost immediately, and one of the few that remained with me.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
I thought this little tidbit deserved its own space. And given that I didn’t really make a big to-do about Michael Jackson’s death, I feel like this is a good, locally-grown tribute. Let me break it down for you.
This special collaborative cut served as a wonderful nightcap. After Celebration’s last song, the bands merged for an encore treat: Michael Jackon’s “Billie Jean.” Victoria Legrand and Katrina Ford traded off vocals while the rest of Celebration and Alex Scally reproduced that supple, instantly recognizable throbbing beat that just moves you in the way few can. A faithful rendition with a bit of added flourish in the form of richer synth tones, some and vocal tweaks. Two of Baltimore’s best, covering one of pop’s icons. Doesn’t get much better.
Stay tuned for the full sets from both Beach House and Celebration (taped by the Baltimore Taper) later today.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Contest is over! Tough choice, but the winner is Meryl, because we at Aural States wish every venue could be all ages.
Guess what? Thanks to Sarah (owner of the Metro Gallery), we’ve got a pair of tickets to her awesome outdoors double-header of Beach House and Celebration at said venue on Aug 7th.
Comment here with a compelling reason or story for why you need this gorgeous outdoor show in your waning summer weeks. It really is that simple. Winner will be picked Aug 5th and notified by email (or phone if you give that).
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Dave again. I’ll handle the account of our trip up to the Midlands since I spent a good many months nestled in Central England a few years ago. First off–our Saturday night support slot in Nottingham:
Sian Alice Group traveled a long way to be a part of this bill, and they certainly stepped up to the plate. An energetic, if at times monotonous, showing that often called to mind the bluesy garage churn of the Kills and Sons and Daughters. Their twist is a bit more adventuresome forays into atmospherics and nuanced repetition and painstakingly measured progression and growth that would be the envy of any aspirators to post-rock.
Vetiver was hotly anticipated, almost as much as headliners Beach House. Seemed everyone was yearning for a taste of their take on folk. Their sound was a vital and invitingly warm one, gentle giants of guitar lines floating airily around the room made the relatively small club stage feel like it opened into a big grassy field. This is the stuff of sunny days and ear-to-ear, Cheshire-size grins.
There was little question when Beach House took the stage that they were the act of the night. It seems they’ve managed to find their comfort zone just outside of the hazy dreams of their repertoire, finding an area of the slightest bit more lucidity to exponential effect. Their live show is progressing nicely from escapist and enshrouding to immediate and captivating.
Yes, my friends, a new single from Baltimore’s most beloved, hazy duo. Enjoy the following words from our hometown heroes’ DC label Carpark:
“Recorded over the summer of 2008 after many exhaustive months of touring, “Used To Be” contemplates the spiritual and physical effects of life on the everchanging road, love and getting older…”
Beach House seem to be making the e-rounds as of late. Their latest appearance: Pitchfork.tv‘s in-house series “Juan’s Basement.” They star in a 3-parter this week, part one pairs a live performance of “Gila” lovingly shot in vintage soft focus with an interview on Devotion.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Whartscape 2008′s Friday show was at the 2640 Space, a church undergoing renovation assisted by the Red Emma’s collective. In exchange for their services, they get to hold events provided there is no alcohol sold/drunk on the premises…house of God and all.
This year’s line-up has more variety with a less shotgun-based approach of toss whoever, together whenever (as intimated by Adam in our interview). And what more perfect theme for the 2640 Space than a night focusing on folk, performance art and generally softer music and calmer music than the electronic spazz rock Wham City is better known for. The hallowed and empty space, presided over by stained glass cut with sacred and holy images, is one cavernous room. An orator’s dream, as well as any musician or vocalist.
We are a Baltimore-based blog covering regional and national music, written by music geeks, for music geeks. Ourcontent includes MP3 downloads, reviews, previews, exclusive interviews, contests and giveaways, and op/ed commentary.
If you wish to become a contributor, email us your location and 3 writing samples, which will become your first 3 pieces if accepted.
All contributors are unpaid volunteers, and as a consequence, we often receive gratis material from artists or venues for reviews. Regardless, we maintain all opinions unfiltered or unbiased to the best of our abilities.
Audio posted here is for sampling only. If you like what you hear, please support the artists. Especially any featured local artists. If you are an artist and wish to have your music taken down, please email us and we'd be happy to oblige.